Goa trance is form of electronic music and is a style of trance music which originated in the Indian region of
Goa. The music has its roots in the popularity of the Goa region in the late
1960's and early 1970's as a hippie mecca, although the actual Goa trance style would not appear until much later. As the tourist influx tapered off in the 1970's and 1980's, a core group remained in Goa, concentrating on improvements in music along with other activities such as yoga, recreational drug use, and various New Age pursuits.
The introduction of techno style and technique to Goa led to what would eventually become the Goa trance style; early pioneers included Goa Gil and Mark Allen. Many "parties" (similar to raves) in Goa revolve entirely around this genre of music; Goa is also often played in other countries at raves, festivals and parties often in conjunction with other styles of trance and techno.
Goa is essentially "dance-trance" music (and was referred to as "Trance Dance" in its formative years), and as such has an energetic beat, almost always at 4/4 and often going into 16th or 32nd notes. A typical number will generally build up to a much more energetic movement in the second half of the track, and then taper off fairly quickly toward the end. Generally 8-12 minutes long, Goa tracks usually have a noticeably stronger bassline than other trance music and incorporate more organic "squelchy" sounds.
Goa trance parties have a visual aspect as well, the use of "fluoro" (fluorescent paint) is common in clothing and decoration. The images are often associate with topics like aliens, hinduism and other religious (especially eastern) images, mushrooms (and other psychedelic imagery), shamanism and technology. Goa trance has a significant following in Israel, brought to that country by former soldiers returning from recreational "post-army trips" to Goa. A great deal of Goa trance is now produced in Israel, but its production and consumption is a global phenomenon.
Goa Trance effectively morphed into psychedelic trance during the latter half of the 1990's. Both styles are generally non-commercial and underground compared to other forms of trance. The goa sound is more likely to be heard at outdoor parties and festivals than in clubs and places like Ibiza. For a short period in the mid-'90's it enjoyed significant commercial success with support from DJ's like Paul Oakenfold. The artist man with no name probably came the closest to being a goa trance "star".
History
The music has its roots in the popularity of the Goa state in India in the late 1960s and early 1970s as a hippie mecca, and although musical developments were incorporating elements of industrial music and EBM with the spiritual culture in India throughout the 1980s, the actual Goa Trance style did not officially appear until the early 1990s. As the hippie tourist influx tapered off in the 1970s and 1980s, a core group remained in Goa, concentrating on developments in music along with other pursuits such as yoga and recreational drug use. The music that would eventually be known as Goa Trance did not evolve from one single genre, but was inspired mainly by Industrial music/EBM like Front Line Assembly and A Split-Second, acid house (The KLF's "
What time is love?" in particular) and psychedelic rock like Ozric Tentacles, Steve Hillage and Ash Ra Tempel. In addition to those,
oriental tribal/ethnic music also became a source of inspiration, unsurprisingly considering that it was from Goa in
the Orient that Goa Trance originated. A very early example (1974) of the relation between psy-rock and the music that would eventually be known as Goa Trance is
The Cosmic Jokers (a collaboration between Ash Ra Tempel and Klaus Schulze) highly experimental and psychedelic album "
Galactic Supermarket", which features occasional 4/4 rhythms intertwined with elements from psy-rock, early analogue synths and occasionally tribal-esque drum patterns.
The introduction of techno and its techniques to Goa led to what eventually became the Goa
Trance style; early pioneers included DJs Fred Disko, Laurent, Goa Gil, and Amsterdam Joey. Many "parties" (generally similar to raves but with a more mystic flavour, at least in early 1990s) in Goa revolve entirely around this genre of music. In other countries, Goa is also often played at raves, festivals and parties in conjunction with other styles of trance and techno.
Today, Goa Trance has a significant following in Israel, brought to that country by former soldiers returning from recreational "post-army trips" to Goa in the early 1990s. A great deal of Goa Trance (or now, more accurately, psytrance) is now produced in Israel, but its production and consumption is a global phenomenon. New "hot-spots" today include Brazil, Japan and South Africa.
The original Goa Trance sound has undergone a great deal of other genres evolving from it since 1997. From 1997 till 2000 the Goa Trance scene was without any clear goal. Artists experimented in many ways from combining Goa Trance with breakbeats to creating a blend of Goa Trance and minimal techno (which later went on to become progressive/minimal psytrance). The main goal during this time was to experiment in new ways and create something different from the Goa Trance sound that was so popular and widespread during the mid 90s. As a result, anything could be heard at a Goa Trance party. After 2000, new styles were born, fixed and have survived until today, with some of them becoming commercialized and enjoying much more success in clubs, for example "full-on" psytrance. Today a lot of music that is labeled "Goa Trance" has very little to do with the original sound of Goa Trance, however, achieving a psychedelic sound (be it organic or cybernetic) is said to remain the goal that producers are out to accomplish.
Notable artists
- Astral Projection
- Cosmosis
- Doof
- Transwave
- Goa Gil
- Hallucinogen
- Infected Mushroom
- DJ Jörg
- Juno Reactor
- Man With No Name
- Pleiadians/Etnica
- Oforia
- Shiva Shidapu
source: moodbook
Lior Perlmutter, each of whom were DJs in Israel's dance/industrial scene of the late '80s before beginning their production careers in 1989. One year later, "Monster Mania" (recorded as SFX) became a club hit after being released on Belgium's Music Man label. The duo spent time living in New York running their own X-Rave, but returned to Israel by 1994. Nissim and Perlmutter founded another label named Outmosphere, which became Trust in Trance by 1995. Initially, the label was strictly a compilation-oriented venture; also in 1995, the pair issued the first volume in an ongoing series (Trust in Trance: Psychedelic Vibes) that featured many of their own productions -- including the first as Astral Projection. The second in the series did well on the Israeli charts, while the third volume broke them in Europe as well, earning re-release on the British trance label TIP (it appeared as the single-artist album Trust in Trance as Astral Projection). Nissim and Perlmutter soon jettisoned the compilation concept and released their first true Astral Projection album, Dancing Galaxy. It became one of the best-selling trance albums in history after its release in 1997. Another World followed in 1999 and Astral Scene the following year. Nissim and Perlmutter also reissued their early SFX recordings on The Unreleased Tracks 89-94 and released a DJ album, In the Mix.~ John Bush, All Music Guide.
